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The Grapes of Wrath, Birmingham
Rep, Tuesday 20th October 2009
Based on the novel by John Steinbeck, Adapted by Frank Galati

This English Touring Theatre production presents this summer’s Chichester
Festival Theatre’s version of John Steinbeck’s classic and thought provoking
story of the dust bowl migrants and their life changing and perilous
struggles.
Jonathan Church a man well known to Birmingham theatre goers for his highly
successful stint as Artistic Director at the Rep directs. The large cast is
kept very much on track by Church, making good use of the large stage and
Simon Higlett’s tilted design works effectively almost knocking the world
off axis. Both the lighting and costumes add considerably to the overall
atmosphere of the depression. The special effects for the storm and flooding
scene at the end of act 2 are quite spectacular and add to the harrowing
situation.
This is very much a repertory approach with everyone involved giving 100%
and it has to be said all looking pretty exhausted at the end of the
performance. John Steinbeck’s book may have described the struggles of 1930s
migratory families but there are still present day parallels that can be
drawn and the large audience were often enthralled.
There are a number of strong and outstanding performances starting off with
young Tom Joad the now paroled killer who clearly has an explosive
character. Damian O’Hare plays the role
with a building tension that you know is going to blow right about now.
The former Reverend Jim Casy, now just a sinner has a pivotal role in the
production and is played with a strong visual impact by
Oliver Cotton. The ever optimistic and
family saving Ma Joad is played very convincingly by
Sorcha Cusack. The initially enthusiastic
but finally defeated father figure of Pa Joad is played with undaunted
conviction by Christopher Timothy. Of
the old timers, Jennifer Hill as Granma
Joad and Richard Kane as Grampa Joad add
considerably to the sense of desperation felt by the Joad family as they set
off on their gruelling journey to California and the unknown.
This is an evening of emotions and tensions, thought provoking situations
and effectively presented drama. The music and songs by
John Tams added an evocative Woody Guthrie
feel that certainly contributed to the evening. Well worth seeing.
The production lasts for 3 hours including one interval and is at the Rep
until Saturday 31 October 2009.
Clive Fuller
To book tickets or see news of forthcoming plays at the
Birmingham Rep, visit
http://www.birmingham-rep.co.uk
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