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Pride and Prejudice
Birmingham Rep, Tuesday 3 November 2009
Based on the novel by Jane Austen, adapted for the stage by Simon Reade

On what had been a very wet and blustery day it was very
cheering to see once again the “House Full” sign outside the theatre. This
Theatre Royal Bath touring production boasts well known stars and a literary
classic and I am sure these both attracted the crowds. This was the very
first night of the tour and there were still some rough edges to smooth and
polish but it was very clear that this was a top end production and had the
potential to do well as the tour rolled out (Nov 09-Feb 10).
Susan Hampshire was perfectly cast as
Mrs Bennett and wore some beautiful costumes that depicted the time slot.
She portrayed a wonderful mixture of eccentricity and scheming that kept her
most gleeful and the audience amused. Most often seen on television who
could forget her landmark role as Fleur in the BBC adaptation of “The
Forsyte Saga” or more recently that of Molly in “Monarch of the Glen”. She
is a fine actress.
Mr Bennett was played by that well known television face Peter Ellis and
having done 16 years in “The Bill” playing Chief Supt Brownlow, he was
immediately recognised, but in his 18th century costume looked quite the
toff and carried the role off well.
The experienced stage actress Carolyn Pickles
played the wealthy and dictatorial Lady Catherine de Bourgh with great stage
presence and projection. Again, wonderful costumes and a striking
performance.
And of special mention, Tom Mothersdale
who as the dislikeable Mr Collins was larger than life and quite amusing
throughout the evening.
The two young male leads, Nicholas Taylor
as Mr Darcy and Alex Felton as Mr
Bingley looked splendid in their tailored costumes but were let down
particularly in Act One by insufficient voice projection which resulted in
bits of the plot being missed. It is vital in such a work as this that all
the words are heard and the story followed. They were better in Act Two and
it was clear that they both could project their voices unaided, so well done
on that.
The young ladies were a delightful group and appeared to thoroughly enjoy
their roles with Violet Ryder as Jane
and Katie Lightfoot as Elizabeth
bringing to life all the emotions of courtship or not in the 18th century.
I was not convinced that the somewhat minimal set added to the production
and there were times when the actors seemed very alone on the large stage
when a bit more luxury and substance might have added to the visual appeal
in the way that their costumes did. Also the recorded music seemed at times
be in conflict with the dialogue and would benefit from being refined.
And finally, last night during Act One a mobile telephone in the audience
rang 5 times and on one occasion appeared to ring continually for a few
minutes. I think it is wise to remind people at the start of every
performance to “switch off” their phones. I’m sure this must have frustrated
the actors on stage so remember there were no telephones in the 18th century
and enjoy the play!
Clive Fuller
Run Sheet for this production 2009/2010
02 November 2009 to 07 November 2009
Birmingham Repertory Theatre, Birmingham
09 November 2009 to 14 November 2009
Playhouse, Erith
09 November 2009 to 14 November 2009
Arts Theatre, Cambridge
16 November 2009 to 21 November 2009
Chichester Festival Theatre, Chichester
23 November 2009 to 28 November 2009
Richmond Theatre, Outer London
30 November 2009 to 05 December 2009
Theatre Royal, Windsor
07 December 2009 to 12 December 2009
Theatre Royal - Ustinov Studio, The Egg, Bath
25 January 2010 to 30 January 2010
Malvern Theatres - The Cinema, Forum Theatre, Festival Theatre, Malvern
08 February 2010 to 13 February 2010
Theatre Severn - Quarry/Walker Theatre, Shrewsbury
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